I found myself in rather an usual predicament today, whereby I had a day off and I was 200 miles from my home in Bournemouth.
It was to my great pleasure that she asked if it would be ‘too much of a trouble’ for me to correct her English when she talks so that she learns the language better. I was half tempted to tell her that, in fact, it would be a pleasure more than a trouble, as I so often do this to my English friends and receive smarmy ‘know-it-all’ remarks, so to be asked to do it freely, at will, was like I was a child and had been told I was allowed to eat ice cream for every meal of the day.
Canons Ashby. I borrowed this photo from the internet because it looked far prettier than anything I could have taken. Thank you, internet. |
The wife of Sir Henry Dryden in the mid 19th century. I’d look that miserable, too, if someone had told me I had to pose holding a book but I wasn’t allowed to read it. |
The Library at Canons Ashby. There were gardening tools kept in here so that anyone who borrowed a book was guilted into helping to preen the many bushes in the landscape garden. |
The ceiling in the Drawing Room – rather fancy, isn’t it? |
And then I spotted the grand piano.
I left the elderly couple that I had been wandering around with and walked to the front of the piano to have a look at it. The music sitting on top of it was Claire de Lune by Debussy, a piece I know rather well. I glanced up at the National Trust lady, in full conversation with the couple, hoping she’d look over to me. I did what any other English person would do, and instead of politely asking for permission to play, I over exaggerated my enthusiasm at seeing the piano. I turned the pages of the music, I kept on lifting the lid to the piano stool, I even un-latched the metronome so that it began ticking – all in the slim, vain hope that she would let me play the piano. I have never been to any manor house where they have allowed the instruments to be played by any old member of the public, nor did I ever expect to find one.
“Do you play?” she eventually asked me.
“Well, you know, a little bit here and there…” I admitted.
She gestured to the piano. “Please, do play anything you wish.”
It was as if I was a child let loose in a toy store. I wasted no time in unfastening my coat and placing my bags in the corner, ready to begin playing. Was the piano stool at the right height? Would it sound too loud when I got to the forté bits in the pieces? Oh, who cares.
Me, sat the grand piano, with my ‘oh my god as if this is actually happening, this is so cool‘ smile. |
I began with Claire de Lune, as it was there, open, in front of me. However, as I started playing I felt my hands shake. I was nervous – nervous because I was playing a grand piano (which, let me assure you, is a very, very rare occurance) and was playing it in the most beautiful setting I have ever played in. It was, without a doubt, a once-in-a-lifetime opportunity. What if I didn’t do it justice? What if I messed up so badly that the woman revoked her invitation for me to play?
But no. My nerves would not get the better of me – not today. This was my moment. Life is made of little ‘moments’, I think – little slices of your life where all time seems to stop, where you feel so many emotions at once you wonder if it’s real, where your mind takes a still photo of everything, of every little detail even down to what clothes you’re wearing, just so that in years to come you’ll see the imprinted image in your mind and it will be almost like you’re back in that moment.
I closed the piano book in front of me, and began to play from memory. I play better from memory, because it means I could switch off my head and let my hands move freely. It was as if I was letting go and letting someone else play for me, but when I looked down at the keys it was my hands moving. Einaudi’s ‘I Giorni’ echoed through the vaulted room, down the staircase, into the Great Hall and seeped up into the bedrooms. I could hear people in the rooms either side going ‘ssh! Is that someone playing?’ and then more and more people began filing in, carefully taking a seat on the fancy sofas, and I could feel them smiling at me, I could feel the happiness in the room, happy that they were sharing my moment with me.
Being perfectly honest I can’t remember how long I was sat at that piano. An hour, perhaps. Maybe more. I lost track of time. Everything sad and hurtful that had been getting to me in the last few months, every bad memory, every negative feeling, was drifting away. It was as if the more I played, the happier I became, the higher I climbed away from everything, away from everyone. I lost track of where I was, of why I was in Northampton. Nothing mattered anymore. None of it. I played and I played and the piano was singing under my touch, until there were no more songs left to be played. I’d played everything I could remember, and had gone through the piano music and played everything I recognised. How I wish I could have stayed there all day, stayed all evening. I didn’t want to leave the piano, to leave the glittering vebrato of the piano and the magic it installed upon all who sat in that grand Drawing Room. I wanted more than anything to stay in that moment forever. Wouldn’t that have been lovely.
The room seemed eerily quiet as I took my hands off the keys and closed the lid to the piano. A hollow silence filled the room. After I put everything back, and the room had emptied, I sat with the National Trust woman on the sofa next to the piano. We sat there for ten minutes or so, neither of us saying a word, just taking everything in. It was beautiful that we could enjoy the room as it was meant to be enjoyed, as if the house was still alive.
The rest of the house was lovely, as every National Trust house is. I said goodbye to the woman and headed across the landing towards the bedrooms where am elderly gentleman was talking to a small group huddled around a wall. I learnt how the house had been rented out in the 1950s to quite eccentric characters who, unfortunately, didn’t understand certain historical importance of some of the artifacts. For example, there was a tapestry in the bedroom I was in which covered a large part of the wall. It was a very old and precious tapestry, and behind it lay a door leading to a cupboard. The tenants wanted to access the cupboard, so instead of moving said tapestry, like any normal and reasonable person would, they decided to take a pair of scissors to it and cut a door-shaped hole in it. The piece cut off ended up as a blanket in their dog’s basket, and the tapestry is now almost worthless.
The door-shaped hole cut into a very old and very fancy tapestry. Sigh. |
The next hour was spent ambling around the house’s landscaped gardens – a beautiful collection of orderly hedgerows and topiaries. I sat down in one of the sheltered garden seats and let time pass me by. There was a book next to me that had a list of all the flora and fauna in the garden, and lots of people walked up to me to glance through the book despite it being late Autumn so there were no flowers blooming, and I said hello and they said hello back, and we chatted about how dreadfully windy it was (hence me taking shelter). People are very friendly at National Trust houses, and I like that.
Admiring the view in the garden with my very crinkley jeans. |
And so here I am, sat in Starbucks, next to a delightful* family of four screaming children, writing up my day. In truth, I hadn’t expected to get so much enjoyment from spending the day exploring on my own, but it’s funny how things like that happen.
I didn’t get my cream tea in the end, by the way. I was playing piano so long that the cafe in the old stables was closing by the time I approached it, so I settled for a Toffee Nut latte from Starbucks instead.
*I say delightful, when really I mean it’s children like these ones next to me who make me want to reconsider whether I actually want children.